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Canned Heat - Livin' The Blues, 2CD, FLAC

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Description

Living the Blues

Released 	October 1968

Recorded 	August-October 1968 at I.D. Sound Studios and "live" at The 



Kaleidoscope, Hollywood, California

Genre 	Blues

Length 	1:28:03

Label 	Liberty

Producer 	Skip Taylor





Living the Blues is a 1968 double album by Canned Heat. It was one of the first double albums 



to place well on album charts. It features Canned Heat's signature song, "Going Up the 



Country," which would later be used in the Woodstock film. John Mayall appears on piano on 



"Walking by Myself" and "Bear Wires." Dr. John appears on "Boogie Music". The 20-minute




trippy suite "Parthenogenesis" is dwarfed by the album-length "Refried Boogie," recorded live.





Track listing



   1. "Pony Blues" (Charley Patton) – 3:48

   2. "My Mistake" (Alan Wilson) – 3:22

   3. "Sandy's Blues" (Bob Hite) – 6:46 Canned Heat, Joe Sample

   4. "Going Up the Country" (Wilson) – 2:50

   5. "Walking by Myself" (Jimmy Rogers) – 2:29

   6. "Boogie Music" (L.T. Tatman III) – 3:19

   7. "One Kind Favor" (Tatman) – 4:43

   8. "Parthenogenesis" (Medley) (Canned Heat) – 19:57



          "Nebulosity"

          "Rollin' and Tumblin"

          "Five Owls"

          "Bear Wires"

          "Snooky Flowers"

          "Sunflower Power"

          "Raga Kafi"

          "Icebag"

          "Childhood's End"



   9. "Refried Boogie" (Canned Heat) – 40:51



Credits



Canned Heat



    * Bob Hite – vocals

    * Alan Wilson – Slide Guitar, vocals, Harmonica

    * Henry Vestine– Lead guitar

    * Larry Taylor – Electric Bass

    * Fito de la Parra – drums



Additional Personnel



    * Dr. John Creaux - Horn Arrangements, Piano (Boogie Music)

    * Miles Grayson - Horn Arrangements (Sandy's Blues)

    * Joe Sample - Piano (Sandy's Blues)



Production



    * Rich Moore - Engineer

    * Ivan Fisher - Assistant Engineer

    * Skip Taylor - Producer

    * Canned Heat - Producer



Canned Heat's third collection,  Living the Blues [Akarma] (1968), was likewise their first 



double-LP, heralding the rural hippie anthem "Going Up the Country" as well as the nearly 



three-quarter-hour "Refried Boogie." However, rather than distracting their audience, it became 



one of rock & roll's first two-LP sets to make a substantial showing on the charts, reaching the 



Top 20. Not surprising as the rest of the album -- essentially all of disc one -- is as solid (if not 



arguably more so) than their previous long player Boogie With Canned Heat (1968). Featured is 



the "classic" Heat lineup of Alan "Blind Owl" Wilson (guitar/vocals), Larry "The Mole"
Taylor 



(bass), Henry "Sunflower" Vestine (guitar), Adolfo "Fido" de la Parra (drums), and Bob "The 



Bear" Hite (vocals), who unleash another batch of strong originals and engaging overhauls of a 



few blues staples -- including the solid cover of Charley Patton's "Pony Blues" that commences 



the effort. Right out of the gate, the formidable team of Wilson and Vestine explore their musical 



passions with a focused drive that would significantly diminish in the years and on the records to 



follow. One of the primary factors in the package's commercial success was their update of 



Henry Thomas' "Going Down South," which they turned into the breezy "Goin' Up the Country." 



The song not only became one of their biggest hits, it was also used in the Woodstock (1970) 



documentary and a live version -- from the actual concert -- was presented on the soundtrack. 



Canned Heat are joined by one of their contemporaries as Brit bluesman John Mayall 



contributes to the compact reading of Jimmy Rogers'"Walking By Myself," not on guitar, but 



rather piano. He also tosses around the '88s during the "Bear Wires" movement of the side-long 



"Parthenogenesis" suite. While on the subject of guest keyboardists, Mac Rebbenack (aka Dr. 



John) joins in on the groovy ode to "Boogie Music." "One Kind Favour" (aka "See That My 



Grave Is Kept Clean") drives hard with Hite belting out behind the ensemble's propelling 



rhythms. Aside from the slightly indulgent "Refried Boogie," Living the Blues [Akarma] (1968) 



stands as a testament to Canned Heat's prowess as modernizers of the blues and 



recommended as one of the most cohesive works from this incarnation.

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Canned Heat - Livin' The Blues, 2CD, FLAC	1 Year+ - in Music	535.72 MB	0	0
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Canned Heat - Living The Blues (1968) [EAC - FLAC]	1 Year+ - in Music	529.39 MB	2	1
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